This journal cover is designed from polymer clay cane slices, arranged in organic, repetitive lines.

‘Rapt’ represents the continuous flow of life, with one stage flowing into the next and the past sometimes looping back around to the present.  There is no beginning or end, just the present.

Polymer Clay Necklace on a black eighteen-inch wire.

This brooch, with its typography-covered colored pieces, is inspired by the artifacts of urban environments, such as fragments of flyers on telephone poles, signage, and more.

The bellflowers on this pendant were made with Pardo translucent clay. The sterling silver arc was hand-fabricated. The hand-fabricated stamens are fine silver.

Frogs and toads are my favorite things to sculpt. Their golden eyes are magical to me, and I never get tired of making them out of polymer. This frog is based on an American common green frog.

Surface-treated and patterned polymer clay sheets were cut and layered onto cradled board panel to make a bright and cheerful mod-style flower.

From mountains to fossils, cholla to ocotillo, fangs to tusks, and quills to claws, the high desert’s ancient wisdom guides my hands, materializing in adornments that revere the untamed splendor of my adopted home.

This pendant is a result of experimentation with classic filigree techniques combined with an updated expression of Elise Winters’ gold crackle process.

Carol created this D-shaped ring as part of a swap for a retreat. It uses a “Missoni” inspired pattern created from layered and obliquely sliced clay.

These earrings are made from slices of a complex polymer clay cane depicting a cross section of an animal cell. They feature cellular components such as mitochondria, vesicles, endoplasmic reticulum, Golgi body, nucleus, nucleolus and centrosome.