Using Pastels with Polymer Clay

Pastels are commonly used with polymer clay, and for good reason. They’re very versatile and can be used in many ways with our polymer clay work. Here is a summary of what pastels are and how to use them with polymer clay.

What are Pastels?

Pigments are the “stuff”, usually a powder, that gives things color. Blue paint is blue because it’s made of blue pigment.

If you apply pigments to the surface of a canvas, they will easily wash or brush off. So artists use various binders to create paint that will stick better to the surface. Oil paints use linseed oil. Watercolors use gum arabic. Acrylic paints use acrylic medium. Tempera (originally) used egg yolk. But there’s another type of painting that doesn’t use a binder to adhere the pigment. Pastel painting relies on the “tooth” of the paper to hold the applied pigment. The paper fibers themselves hold the pigment particles. When the pastel painting is finished, a fixative is typically sprayed onto it to stabilize the pigment. (Important note: Be very cautious when using sprays with polymer clay.)

A stack of Pan Pastel containers, four short square sticks of soft pastels, and a stack of five plastic bags filled with pigments.

Because of the way pastels are applied to paper and fixed later, the pastels are very nearly pure pigment. They contain just enough extra ingredients to press into a stick, similar to chalk. These pastel sticks are what artists hold, like a pencil, when they apply the colors to the paper.

Oil Pastels vs Soft Pastels

There are two types of pastels, oil pastels and soft pastels. Oil pastels have an oily base, similar to lipstick but less creamy, and aren’t used much with polymer clay. They can be chopped up and mixed into the clay, but they aren’t terribly versatile for our use. (And I do welcome experimentation with them! You might find a neat way for them to be used.)

A tray of oil pastel sticks along with an example of how the color lays down on paper with scribbles.
Oil pastels don’t have much use in polymer clay that I can see…yet. Feel free to experiment, however!

Soft pastels appear similar to chalk (but artists balk when you call them chalks…they’re not). Artist-quality pastels are very soft and contain high-grade pigment with very few fillers. These soft pastels are nearly pure pigment and can be pretty pricey. They are very soft, and the pigment applies very easily to the paper.

Three Sennelier artist quality pastel sticks, one each in yellow, blue, and red.
Artist quality pastels like Sennelier are so highly pigmented and soft that you can rub a brush on the stick to load color.

Craft-quality soft pastels sold in sets at the craft store tend to have more fillers (yes, such as chalk) that make the sticks harder and the color less likely to come off. Inexpensive soft pastels need to be scraped to release the color, and you might be frustrated by their granular texture and low pigment density. On the other hand, cheap pastel sets are a great way to get started and experiment.

A box of craft-quality pastels, this one is from Michaels.

Pastels and Polymer Clay

Because pastels don’t have any binder or adhesive, there’s nothing to hold them when applied to a plain surface, such as baked polymer clay. But unbaked polymer clay is naturally sticky. Pastels applied to the surface of raw polymer clay will stick tightly, leaving a colored surface. In fact, you can “paint” with pastels on the surface of raw polymer in much the same way that artists paint with them on paper. You can apply a heavy, solid laydown of color. Or you can lightly brush the colors to create contours and shading (just as with makeup).

A hand holding a miniature loaf of French bread, sculpted with white polymer clay and colored with a variety of tan and brown pastels.
Miniature bread made from white clay, artfully dusted with pastels to give the clay color.

Pastels consist almost entirely of pigment, so pastel powder can also be mixed into various mediums to color them. This includes varnish, liquid clay, acrylic media, and yes, raw polymer clay. You can even create interesting faux ceramic effects by mixing the pastels into liquid clay that is then poured over a texture.

Two square polymer clay tiles that have had a faux ceramic effect applied by using pastels and liquid polymer clay.
You can mix pigment with liquid clay and apply this over textured clay to create a faux ceramic effect.

Application Tools

Just as when applying blush or eye shadow to skin, you can use your finger, a brush, or a sponge applicator. If you’re using artist-quality soft pastels, they’re usually soft enough that the color comes off the stick quite easily, so you can rub the stick with a brush or your finger to load up. But with harder pastel sticks, you’ll need to scrape the stick to release a fine powder of pigment. This is very easy if you use your blade or a craft knife. Make a small pile of powder and apply it to your polymer with a brush, sponge, or finger. If you scrape more pastel powder than you’ll use, you can easily store it in tiny plastic containers like these paint pot strips. Then you’ll have the powders ready in advance.

A finger applying green pastel to textured polymer clay.
Oh yes, our fingers are our best tools. I use them a LOT. They’re perfect for applying powder to raised areas.

What Kind of Brushes?

I use inexpensive craft paint brushes for applying pastels. The brushes should be fluffy enough to hold powder and soft enough not to scratch the surface of the polymer clay. Makeup brushes actually work very well. You can find them cheaply from online marketplaces like Amazon.

A collection of inexpensive artist's paintbrushes, dirty from applying pastel to polymer clay.
Here are my dirty, pastel-covered brushes, directly from my studio.

I don’t typically clean them after each use. Instead, I have a selection of brushes that I use for the purpose, each one sticking with a color family. Periodically, I wash the whole lot with soap and water.

Applying Pastels to Unbaked Polymer Clay

Unlike mica powders, which cannot be layered, you can add many layers of pastels to unbaked polymer clay if you’d like. Just as with adding blush to your own cheeks, a light dusting of color can be very effective for a subtle effect. It’s common to use red or pink pastels to add a rosy glow to the cheeks of a figure, for example. But the unique character of pastels applied with a brush allows you to create lifelike shading by artfully choosing how you apply the colors. Whereas paint can look thick and fake, pastels can be used in thin layers, creating artful impressions of real life.

Leaf bowl made with green polymer clay and then colored and shaded with multiple colors of pastels.
This leaf bowl was made from a large sycamore leaf and scrap clay. Pastels were heavily applied ot the unbaked clay to create realistic coloration.

But the clay’s oils will soak into the powdered pigment, allowing the applied color to become one with your creation. This means you can keep applying more and more color, shading as you go, building intense colors on the clay. This is a point that’s sometimes hard to fully realize. The pastels can be applied VERY thickly, and the colors can layer to create a surface that is not possible with any other medium. Students often underestimate this and tend to apply pastels with a light hand, as you would eye shadow. Keep going. The clay will hold a LOT of color! No, I’m serious. It’s more than you think.

A hand holding a sheet of polymer clay that was textured and then colored with pastels.
This veneer was made from WHITE polymer clay and then colored with pastels. Note how much color you can add!

Fixing and Finishing Pastels

Because pastels applied to the surface of unbaked polymer clay will “soak into” the surface, they’re relatively durable after baking. They don’t generally rub off. If the item needs protection, you can apply the polymer-safe varnish of your choice. Often, you want to preserve the matte surface and therefore will want a matte varnish. I like CrystaLac Brite Tone Matte (Amazon affiliate link) varnish. You don’t need to use a fixative spray with pastels, as you would with pastel on paper. Learn about sealers here.

That being said, pastel on the surface of polymer clay is a thin layer of color. It can be scratched or abraded if the item is subjected to wear. I would certainly seal it if I used pastels to color polymer for jewelry.

Pastels and Texture

Because higher areas of texture grab more pigment from your brush than the lower areas, soft pastels are perfect for accentuating the texture of what you’re making. As you can see in this pinch pot example, you can apply the color to make the texture much more evident. Try using silkscreens, texture sheets, and found objects (such as leaves) to create textures that you’ll develop by brushing with various colors.

Leaf-textured green pinch pot made from polymer clay and colored with pastels.
This pinch pot was made from white clay, textured with leaves, then colored by brushing liberally with pastels.

Base Color

You’ll find that the lightness of white polymer clay means that your pastel colors will be much richer than if you’d used a darker color. But you can still apply pastels over any clay color. Expect to see a visual blend in some cases, with the clay color showing through.

If you apply artist-quality pastels thickly enough, you can even have good results using light colors over black clay. Craft-quality pastels don’t usually have enough pigment density to appear light over dark clay, however.

Small glass votive covered with a sheet of crackled patterned polymer clay. Note that the base clay is black and the crackle pattern is created with light pastels.
This votive is covered with black clay and artist-quality pastels. Note how a thick layer of color will remain opaque when used on dark base clay.

What About Eye Shadow?

Eye shadow is pigment. Isn’t that the same thing as pastels? Well, yes and no. If the makeup is flat/matte/dull/plain, then yes, it’s close to the same thing, and you can use it interchangeably with pastels. But if there are sparkles, there’s mica in it, and it will behave very differently from pastels. Mica and pigments are not the same thing, and they stick to polymer clay differently. So go through your eye shadow palettes and find the powders that don’t sparkle. They’ll work great instead of pastels!

A hand holding a stack of Pan Pastel containers.
A stack of Pan Pastels, a brand of artist-quality pastels that is very popular with polymer clay artists, me included.

Pastel Stick vs Pans

Pastels are traditionally made into sticks (either round or square). All craft quality pastels will be in stick form. There is a brand of artist-quality pastels made into pan form, called Pan Pastel. Created by the trusted fine art company Golden, Pan Pastels are just the same as other artist-quality pastels, but pressed into cake form just like blush or eye shadow. Many polymer artists prefer using Pan Pastels for their high quality and ease of application. More on Pan Pastels vs Soft Pastels here.

Note: I first published a variation of this article in Blue Bottle Insiders in 2021 as part of a community challenge on using pastels in your work.

You definitely want this...

Polymer clay info, tips, inspiration, and more. Twice each month. Get the email that clayers rave about!

Related Articles

Scroll to Top

Confused by polymer clay terms?

Get my guide to 50+ terms you'll actually use. It's free!

Confused by polymer clay terms?

Get my NEW guide to 50+ terms you'll actually use. It's free!

Almost There

1

Check your email/spam

2

Click to confirm

3

Watch for welcome

Check your spam folder. Email programs are very aggressive and you’ll likely find lots of missing emails in there!